This represents the type of material available to produce long tree-ring chronologies for north-western Europe including the UK and Ireland. Results from the juvenile rings, those located closest to the pith, were compared with results from equivalent sections representing the same calendar years from independent master isotope chronologies that do not contain any juvenile wood, allowing any juvenile offsets and trends to be separated from those caused by environmental change. Therefore, removing the first 50 rings, as is typical for Pinus sp. The aim of this study was to determine the magnitude and duration of juvenile effects, including the detection of trends, offsets and their influence upon signal strength. The results show clearly that juvenile effects for oak from central England are very small and short-lived and that removing merely the first five rings closest to the pith is sufficient to avoid them. This result greatly increases the potential for building long and well-replicated stable isotope chronologies using archived oak samples from historic building timbers, allowing high-resolution climate reconstructions to be produced for the highly-populated regions, where oak is abundant and which are currently under-represented in regional palaeoclimate reconstructions. Previous article in issue.
About Us As Jack and Jackie Simonini we are a husband and wife partnership and have specialised in early English oak and country furniture from the medieval period to the 17th century for over 30 years. Our showrooms are set within the stunning Lake District National park in the Lowther valley in the ancient county of Westmoreland, near to the village famous for the film Withnail and I. Whilst visiting us for antiques in Cumbria and maybe seeing other places for antiques in the Lake District why not include a visit to close by Lowther Castle seat of the Earls of Lonsdale since the middle ages.
Ullswater lake is just 7 miles away where there is an abundance of walks, places to eat and stay on our doorstep. So when looking for antiques in Westmorland don’t forget to visit us for antiques in Lowther Valley.
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The practice of using natural objects as rudimentary pieces of furniture likely dates to the beginning of human civilisation. The site dates from — BC and due to a shortage of wood in Orkney, the people of Skara Brae were forced to build with stone, a readily available material that could be worked easily and turned into items for use within the household. Each house shows a high degree of sophistication and was equipped with an extensive assortment of stone furniture, ranging from cupboards, dressers and beds to shelves, stone seats, and limpet tanks.
The stone dresser was regarded as the most important as it symbolically faces the entrance in each house and is therefore the first item seen when entering, perhaps displaying symbolic objects, including decorative artwork such as several Neolithic Carved Stone Balls also found at the site. Pieces found here include tables and inlaid serving stands. There are also surviving works from the 9th-8th-century BC Assyrian palace of Nimrud.
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We specialise in large antique dining tables and sets of chairs – holding here the largest stock of genuine antique dining furniture of the Victorian, Regency, Georgian periods in the World. Our pieces are restored and hand French polished bespokely to your specification, matching to chairs and sideboards, etc.. If you are searching for a huge stock of Lapada and Bada standard genuine pieces, but at a fraction of the price, and also want to avoid the junk and reproductions offered on the many amateur ‘antique’ advertising websites, then you are welcome anytime.
POA See example of before and after 6 Metre Grand Chateau Centre Piece Extending Walnut Dining Table An absolute one off this unique and impressive table was most likely a centre piece in the grand entrance of a chateau where often banqueting was held. In highly figured walnut the round top stand on an aesthetic pedestal base that splits to extend with runners to incorporate any combination of the many leaves.
First, dating furniture is a fine art. Seldom does one clue provide confirmation of anything. Also important are style (including hardware), shrinkage, nails, screws, locks, the primary and secondary woods used, the type of finish, tell-tale tool marks, areas of wear and general appearance.
There are three basic questions that you should ask when considering a piece for acquisition: Is it period, meaning, is it from the early s and not a later reproduction? Is it by Phyfe? How good is it? Over the past five years, I have examined several dozen Phyfe sofas cataloged as period at various auctions; only two or three were in fact period Duncan Phyfe pieces. It can be very difficult to spot a reproduction, especially if the piece was made by hand by a competent cabinetmaker.
I am always distressed when I overhear buyers at these auctions bragging about their bargain purchases when in fact they had overpaid by double the price for a reproduction sofa. Auctioneers do not guarantee their descriptions as Artemis Gallery does, and many simply do not know the difference between an authentic period piece and a high-quality reproduction.
The most commonly reproduced forms of Phyfe’s furniture are the chairs and the sofas. Keep in mind that these pieces are now years old and have developed wear and patina. They look good — and old. Among the many excellent reproductions of Phyfe furniture are those produced by a German immigrant named Ernest Hagen, who apprenticed for a New York cabinetmaker in He fell in love with Phyfe furniture, became an authority on it, and eventually began reproducing it.
By the s, especially because of increased interest generated by the American Centennial, many other cabinetmakers also began to reproduce Phyfe furniture.
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Recycled Metal Square Roots takes great pride in understanding oak in all its complexity. By selecting the best quality and most environmentally responsible suppliers they produce an exceptional quality product. The upland Burgundy region of France has cool climatic conditions with forests that produce harder, heavier timbers.
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In as much as he applied popular Rocco, Chinoiserie and Gothic design motifs to already fashionable shapes for both grand and simple household furniture. Few designs were copied exactly. Chair makers at all levels – London, provincial and country adapted and modified their designs to suit their own skills, and their customers tastes and pockets. Country versions are instantly identifiable when made in woods other than Mahogany.
Often less well proportioned, much simpler in design with splats with little or no carving. The methods employed by London makers of the mid thC. More reproductions have been made of mid thC chairs than any other period.
There are lots of ways to guesstimate ages, and geologists knew the earth was old a long time ago and I might add that they were mostly Christian creationist geologists. But they didn’t know how old. Radiometric dating actually allows the measurement of absolute ages, and so it is deadly to the argument that the earth cannot be more than 10, years old. Radiometric methods measure the time elapsed since the particular radiometric clock was reset.
Radiocarbon dating, which is probably best known in the general public, works only on things that were once alive and are now dead. It measures the time elapsed since death, but is limited in scale to no more than about 50, years ago.
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But by the 17th century, fashion had become a driving force in everyday culture and furniture was designed to suit the needs of the fashionplate: The poudreuse was a small stand that held perfumes and make up; The mechanical table was used for reading, writing, or dressing. Well-to-do women entertained friends in the “boudoir” meaning “to pout” at dressing tables or vanities , from the Old French word for “empty”.
Chairs and benches played their role as well: King Louis XV ordered an innovative chair that spun around, making it easy for the maid to assist a lady with her hair and makeup. Brief Vanity Timeline Vanities through the years were very beautiful. An exquisite vanity was created for the Duchesse of Parma in a glass workshop owned by a woman, unusual for that time.
With Bassett, you get custom furniture without the customary wait. Bassett currently operates more than retail locations in the United States, Puerto Rico and Canada and is rapidly expanding sales on bassettfurniture. We are passionate about developing fashionable and innovative home furnishings at a great value, as well as offering a number of exceptional services to meet your needs.
The use of rugged woods like oak and the elimination of applied decorations were characteristic of Eastlake furniture. Eastlake inspired the manufacturers of machine-made furniture to explore the decorative possibilities of their machines; imitating his handiwork with such things as glued on moldings and machine-reproduced architectural detail.
Below we have some great guidelines, but the REAL answer has to be found from a qualified appraiser. Most of the information below was garnered from the Antiques Roadshow Primer, but it is not complete. If you want more of the same type of information, we highly recommend you purchase the book at pbs. First, Determine if the “Antique Furniture” is Old — If it’s not old, it can’t be antique or valuable! Run your fingers underneath or over the back of the piece: If the upholstery is not original, lift one edge: Look for the distinctive curved pattern left in sawn wood by the teeth of a circular saw.
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By Bob Flexner Pages A while back, my wife and I were visiting friends who wanted to show us their collection of antique furniture. At one point we went into their bedroom and I headed directly for a very old-looking chest-of-drawers. I just wanted to date the piece by how the drawer was made.
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The Victorian period refers to the era of pieces made during the reign of Queen Victoria — , a furniture style developed that was characterised by exaggerated curves, dark woods and heavy proportions. The makers of the time drew upon the Gothic form and the Louis XV style to create tables where the legs of dining tables, writing tables and side tables were elaborately carved. Designers include a selection of hand crafted items by famous designers of the time, such as Merklen Brother, John Henry Belter and Alexander Roux, and mass produced pieces.
Although some designers put stamps and labels on most of their furniture, many did not, so attributing a Victorian piece conclusively requires lots of research. A general rule of thumb is that rosewood was considered superior to walnut, and was used on higher end tables and other furniture. There are many different Victorian styles from the era: Gothic Revival circa — — design elements such as arches, quatrefoils, trefoils, spires, and crockets featured heavily. The design of this style was French influenced, marked by a use of naturalistic flora and fruit and highly sinewy curved lines.
Eastlake and Aesthetic Movement c. On finer pieces, marquetry, inlay and veneering can also be found. Victorian tables, with their varying styles may never go out of style. The features that were added to the table by designers of the time, including Edward William Godwin and Augustus Welby Northmore Pugin, changed the way furniture was made forever.